Eye brushes intimidated me by far the most when I started in on my Adventures In Makeup; there are so many types! Angled, blender, blunt, bullet, chisel, contour, crease, detailer, dense, dual fibre, flat, fluff and fluffy, lay down, liner, natural fibre, oval, pencil, pointed, slanted, smudger, socket, square, stippler, straight, synthetic, tapered ... not to mention the combinations thereof.
Day One: Category One: Lay Down Brushes
|Some of the lay-down brushes I use.|
L - > R: Ken Boylan, Clinique, Japonesque 234, MAC 252, (dual) Laura Mercier Camouflage Powder & All Over Eye Powder, MAC 239, Lauren Luke, Make Up For Ever Pro 6N, Inglot 9S/S
These are called "lay-down" brushes essentially because they are used to "lay down" a base of eyeshadow, or to "lay down" a colour on the lid, and these can be used in two ways.
The function of the flat side of a lay-down brush is
- as a base shadow brush for your base (light or nude) colour
- to give an even wash of colour on the lid or all over the eye area
- to pack-on colour (the smaller and denser the brush, the more packed-on and "concentrated" the colour will appear)
The edge of some of the more dense lay-down brushes can be used
- to help create a cut-crease (or just to add colour into the crease prior to blending-out)
- to add colour under the lower lashline
- to help shape colour into your eye's "outer-v" area
|Up Close And Personal.|
My favourites: the fourth, third & second from the right, and the fourth from the left.
These ones, in particular:
- MAC 252 (fourth from the left)
- MAC 239 or Lauren Luke equivalent (if you're on more of a budget) (fourth & third from the right)
- Make Up For Ever Pro 6N (second from the right)
Or any flat brush. If a SA is trying to sell you something a bit fluffier, don't bother. You want to be able to pack-on shadow with this, and you can't with a fluffier brush.
1. For base colour
In general I'll use a colour one or two shades paler than skin-shade (eg on a pale skin I'll use something like MAC Mylar or Blanc Type, Bobbi Brown Bone, The Makeup Store Vanilla... on a darker skin I'll simply use a darker brown like MAC Cork, Arena, Charcoal Brown, etc)
Why use a base colour? For a few reasons:
- it helps to stop creasing
- it helps to even-out your eyelid colour
- it can be used to seal primer in place
- for a natural/quick makeup look, base colour + socket + thin or smudged eyeliner = you're done
- for a retro look, base colour + socket + winged out eyeliner = you're done
- for a smokey look, it makes blending-out the eyeshadow on top much easier
2. Packing on colour (on your lid)
When I want to add colour to my lid area, I'll use a smaller lay-down brush. In general, for powder shadows, a denser, flat natural fibre brush will give you a denser finish. My preferred brushes are the MAC 239 or the Lauren Luke equivalent (reviewed here) and also the Make Up For Ever Pro 6N. The latter is probably my favourite over-all, as it is shaped to a point and can be used to pat colour all over the lid, with the point of the brush doing the work in your outer-v for you.
To use the brush to pack-on shadow like this, pat it into the eyeshadow, then simply pat it, flat-side down, onto your eye area until you're happy with the amount of colour on your lid; don't use a brushing/sweeping motion, you don't want to use it to blend.
As with all eyeshadow application, don't forget to tap away the excess first or you can wind up some fall-down underneath your eye. And the more thin layers you apply, the longer your shadow will last, so packing one big glob of eyeshadow on your lid will see it fading away over the day, whereas a gentler application of two-three thinner layers will last longer!
3. Applying colour to/under your lower lashline
More densely packed brushes work well here, eg the MAC and Lauren Luke I've mentioned in Point 2 above. In general, just use the edge of these brushes and gently drag them along your lashline (or just underneath) to create a smudge of colour. Obviously, the smaller the brush, the more subtle the end result.4. To create a cut-crease
A cut-crease is simply a very defined crease/socket area. "Very defined" may mean sharp or more diffuse, but either way, it's more defined than a more usual/bog-standard/day-time/blended-out/soft/less distinct crease.
In the same was as with Point 3, the edge of a lay-down brush (especially the MAC 239 & Lauren Luke equivalent) can be used to apply colour into the crease area in order to "cut" it). There are many tutorials on cut-creases on YouTube (and elsewhere) so I am not going to go into detail here, however the technique essentially calls for a pointed edge brush, so the edge of these brushes can be used in the same way as a pencil brush (see later in the week for information on pencil brushes) for this purpose.
5. To shape your outer-v area
Again, you're using the edges of the same two mentioned brushes to apply definition to your outer-v area, and then using the flat side to add more colour in from that defined area about 1/4 or 1/3rd of the way in along your eyelid. This is just a way of using one brush for the two purposes, but you can of course use something like a pencil brush to create the initial definition if you prefer.
Part Four (Bullet/pencil brushes)